Texts from writers and art critics:

"The black mane of hair which fills many of these works, acts as a trope for mystery and concealment. It is what we cannot see, but suspect is there, which is more alluring – or terrifying. The hair functions like a stage curtain, a semi-permeable integument which separates us from the unknown. Starbuck has long been fascinated by various underground belief systems, from ufology and cattle mutilation (see his earlier series Strange Harvest III and Strange Harvest II) to alien abduction and corn circles. It is not so much that the artist himself has a belief in any of these cult phenomena; it is more particularly a fascination with the social and psychological systems of belief which underpin them." - Richard Dyer (Art critic and Editor in Chief of Third Text, the international scholarly journal which offers critical perspectives on contemporary art and culture)

"Using hair as a signifier, Starbuck’s works focus on concealment and suggestion, hinting at what could be lurking just out of sight. In his oil paintings, disembodied masses of heavy black hair twist and coil like snakes, bringing to mind the sinister black-haired entity in the Japanese horror film ‘Ring’ (‘Ringu’). Meanwhile, his sculptures of everyday objects draped in thick hair suggest strange creatures. Starbuck taps into that common childhood fear of the dark, in which inanimate objects transform swiftly into monsters, and dark shadows take on sinister shapes. - Emma de Clercq (Infringe Magazine)